I couldn’t sleep last night so I watched the most recent
episode of Glee, “Jagged Little Tapestry,” in which the glee clubbers were
tasked with mashing up songs from Alanis Morissette’s album “Jagged Little
Pill” with songs from Carole King’s album “Tapestry.” I don’t usually write about television shows
– heck, lately, I’ve not been writing about much at all – but I have been
growing increasingly disenchanted with Glee over the years and having no one
with whom I can discuss my feelings, I suppose it’s time to put cursor to
paper.
I think the best season of the show has to have been its
second, the year that the Warblers were introduced. That was a great a capella group, and I
enjoyed every cut to Dalton Academy and the introduction of Darren Criss as a positive
gay role model. Initially conceived as
an older, wiser, gay young man, Blaine Anderson was also presented as
multi-talented, smart, an altogether together person. Unfortunately, the show ultimately made him
younger than Kurt (Chris Colfer), his romantic interest, probably so that he
could stay longer in the show, talented as he was, but his use in the show
declined once he transferred to McKinley and no longer appeared with the
Warblers regularly. His most interesting
moments, indeed, came when he had the chance to sing with them again – for
reasons that were highly improbable, but of course, much of the show is
improbable. And Blaine became less
himself than he’d been: he cheated on
Kurt, he pined after Sam (Chord Overstreet), his tone became whinier, and
he no longer played the older, wiser role.
Something valuable was lost.
The third year introduced a recurring character, Sebastian
Smythe (Grant Gustin), a sarcastic, selfishly cruel Warbler who was
interested in Blaine – and with whom Criss shared an incredible spark. Some in Glee’s audience called for Blaine to
ditch Kurt and create a new couple:
Sebastlaine? The show even gave
Sebastian a conscience, and he eventually redeemed himself, so much so that our
last sight of him was when he helped Blaine to propose to Kurt.
Now Kurt and Blaine are once again apart, and the show has
paired Blaine with Dave Karofsky (Max Adler), the boy who tormented Kurt through so much of
the first and second season (because Dave was gay himself and couldn’t deal with
it, which is a plotline I didn’t like and won’t discuss now). Dave and Blaine have as little chemistry
together as Kurt and Blaine had, and I find myself wishing they had brought
Sebastian back (and I think the writers wanted that too, or else why would Kurt
have silently wished for Blaine not to say Sebastian’s name when he was
revealing his new boyfriend?) Too bad
Grant Gustin is off on another network, superheroing as the Flash. Oh, if only…
Meanwhile, the improbable continues to weave itself through
these three episodes of the show’s last season.
Suddenly, Lima is rife with McKinley alumni, and several of them are now
in educator positions in their schools. Blaine, having flunked out of NYADA, is the Warblers’ new coach (which
at least enables him to don the jacket from time to time and join in, which can
only be good); Rachel (Lea Michelle) and Kurt are working as coaches for
McKinley’s New Directions (“Look at us!
We’re teachers!” Kurt exclaimed in the most recent episode); and with
Coach Beiste’s (Dot Jones) upcoming gender reassignment surgery (wouldn’t
you think she would need to provide more than “next week” as notice for being
absent?), Sam is, despite having only modeling on his resume, the new
football coach.
Then there are the other alumni, many of whom one would
think should be at college, or in the military, but can easily arrange to “stay
another week” beyond homecoming weekend.
It’s nice to have these oldtimers back to perform, but really?
What am I thinking, though?
This is a show that regularly suspends the expected. In this episode, Rachel declared her students
ready to start down the road to sectionals:
did she happen to notice that she has only 4 students in her glee
club? I do believe they need 12 – she’d
better get back to recruiting. And
perhaps decide what the set list will be before leaving for the competition.
I will admit that Chris Colfer and Darren Criss have voices that blend well, as they demonstrated in the opening number, "It's Too Late," but Colfer, despite his many talents, annoys the hell out of me. Please, powers that Glee, do what you can to send Blaine off into the wild blue yonder with Sebastian. It's the only thing that makes sense in this world you have created. Then, maybe, I can get some sleep.
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